#Prince of persia: warrior within how to#

Even still, Warrior Within is certainly one of the better action/adventure games in recent memory from a gameplay standpoint. Rather, I would kill things as quickly as possible, tossing them off ledges, so that I could be alone in the room, just figuring out how the whole puzzle worked without any distractions.

#Prince of persia: warrior within how to#

There were many times when I just wanted to figure out how to get through a room, not caring enough to fight pretty. The ability to rewind time has made it to the sequel intact and the fighting game is certainly deeper, but it’s rather unnecessary. In fact, as far as gameplay goes, most of Warrior is still refreshing, despite its similarities to The Sands of Time. It’s a very interesting gameplay concept, and it works very well. There are instances in the game when the Dahaka will appear, and you are forced to navigate an area (that you’ve likely never been to before) doing all the environmental puzzle solving of how to get out of the room on the fly. The Prince, as punishment for having mucked about with the inner workings of time in the last game, has been pursued ever since by a tireless beast called the Dahaka. The first thing to notice is that Warrior Within is undeniably grittier. Seemingly everyone agreed, however, that Ubisoft had overshot the mark in the effort to make the game more appealing to the masses.

I admit I was excited at the promise of deep freeform fighting, something that had been absent from the original, though I hadn’t necessarily missed it. We’ve been given Prince of Persia: Warrior Within.Īs I was such a fan of the original (I bought it for Christmas for two separate friends just so I would be able to talk to them about it) I purchased Warrior Within as soon as I could and read everything I could about it. I don’t know how well that promotion worked, but apparently someone championed the cause for a Sands of Time sequel. Buy a game that deifies covert military culture and we’ll give you a game that tries to do something different.

Who wants to be involved with a refreshing gameplay experience when the latest vampire/sports/kill/drive/instant gratification sex-fest is sitting right there? Ubisoft eventually packaged the game with Splinter Cell in the hopes that more people would give it a chance. From the fairytale narrative to the use of Middle Eastern instrumentation, the game succeeded on technical merit and elegance. To be fair, it was not really within the scope of the story of the game to address these sorts of issues, and, at the very least, there was consistency throughout the presentation. This quality was baked into The Sands of Time, and, along with a mechanic that allowed for rewinding of time up to 10 seconds, it made the game an outstanding entry to the series.Īlthough Sands brought forth a number of new gameplay ideas to the adventure genre, its Middle Eastern themes bordered on the most broad characterizations and stereotypes. It was much more about how to progress in the first place. There was little platformer-like timing elements to take into account. But Ico puzzles were never about actually being able to pull off the moves.

Certainly, there were still buzzsaws and spike pits. It seems only fitting, then, that Prince of Persia: The Sands of Time (the first Prince of Persia title to be released in this console generation) should seek to act on lessons learned from Ico. Although Prince of Persia puzzles have historically been focused on traps such as spike pits and running buzzsaws as opposed to intricately designed locking mechanisms, both games represent a cerebral take on the adventure genre. Ico owed a large debt to the Prince of Persia franchise with respect to two particular qualities long associated with Prince of Persia: its use of environmental puzzles and its outstanding animation. Trying to pick your way throw an enormous and foreboding castle, figuring out how to get from one room to the next is an extremely rewarding gameplay experience, if you’re willing to hang up the ubiquitous blood and sex for a moment. There are a number of reasons to love Ico, but chief among them is its reliance on environmental puzzles as a gameplay mechanic. I guess what I mean to say is I miss the sense of wonderment and discovery I experienced playing through Ico for the first time. I suppose I could go back and play it at any time.